2025 -

The works of this period emerge from a state of psychological fragmentation in which the figure no longer appears as a stable presence, but as a dissolving trace suspended between visibility and disappearance. The image becomes a shifting field where memory, perception, and emotional residue intersect without resolution.

Through layered gestures, ruptured surfaces, and unstable chromatic transitions, the paintings construct an atmosphere of internal tension rather than narrative clarity. Forms appear only to collapse again, resisting fixed identity and coherent representation.

The body is treated not as a complete image, but as a vulnerable surface exposed to erosion, distortion, and reconstruction. Fragments of presence drift through abstract spatial conditions where silence, anxiety, and instability become embedded within the material structure of the work itself.

These paintings do not seek to document reality, but to reveal its psychological instability. The surface operates as a site of confrontation between concealment and exposure, control and dissolution, intimacy and alienation.

Within this visual language, abstraction is not an escape from the human figure, but a means of approaching its fragile and continuously shifting condition. The image remains suspended in a state of becoming — never fully resolved, never entirely absent.