The works of this period explore an experimental visual language shaped through fragmentation, layering, and unstable spatial construction. Painting becomes a field of transformation where forms continuously shift between figuration and abstraction, presence and disappearance.
Rather than presenting fixed narratives, the works investigate emotional and perceptual states through expressive color relationships, fragmented surfaces, and fluid compositional structures. Human traces, symbolic forms, and suspended bodies appear within ambiguous environments where the image remains in constant motion.
Color functions as an active structural force. Intense chromatic contrasts and abrupt visual transitions generate atmospheres charged with tension, instability, and psychological movement. The pictorial surface is treated as an open space where forms emerge, dissolve, and reconfigure continuously.
The series reflects an early exploration of themes that later became central within Wael Darweish’s visual practice: fragmentation, memory, psychological space, and the unstable condition of contemporary human presence.
Within these works, abstraction is approached not as separation from reality, but as a way of reconstructing inner experience through visual transformation and emotional intensity.
acrylic on canvas-Charcoal – gold leaf-150x400cm-2016
