My practice interrogates the unstable construction of identity within contemporary mediated realities, where the self is no longer fixed but continuously negotiated—shaped by image culture, technological saturation, and globalized systems of perception.
At the core of my work is the human body—not as representation, but as a contested site where visibility, memory, and projection intersect. The figure operates simultaneously as subject and image, presence and absence, inhabiting a liminal space between lived experience and its mediated translation. In this sense, the body becomes a constructed surface upon which identity is staged and reconfigured.
Working across painting, photography, and mixed media, I construct layered visual structures that resist linear narration. Through fragmentation, disruption, and symbolic coding, my compositions function as open-ended systems rather than closed narratives—spaces where meaning remains fluid and contingent.
My visual language moves between realism, surrealism, and expressionism without settling into a fixed stylistic framework. The intensity of New Expressionism is present in gesture and chromatic force, yet it is interrupted by photographic insertions and abstract ruptures that destabilize the image.
Color operates as both structure and disturbance—at times aggressive, at others dissonant—reflecting the fractured emotional landscape of contemporary existence. This tension between control and collapse mirrors the instability of identity itself.
Rather than delivering fixed meanings, my works function as semi-encrypted visual propositions. They invite the viewer into an active role of interpretation, where meaning is not given but negotiated.
Ultimately, my practice does not seek to define identity, but to continuously restage it—positioning both subject and viewer within a field of uncertainty, where reality and fiction, self and other, remain in constant tension.